Time and period for making of work is coded into I-ching change hexagram, reflected with size of individual pieces, color and layout. acrylic on wood. 1987~ Exit Art, 1989 ©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work. 1987~1989 Exit Art installation, 1989 ©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work. 1987~1989 Exit Art installation, 1989 ©Hiroshi Kariya

On Kawara visited Exit Art in April,1989, "Sutra" by Hiroshi Kariya, before the public view. As this photo was hidden for a long time, not to expose in the public view while he was still alive.

Face view of beyond. Viewer to permit to see through the work behind, the fragmented vision of whole work. Exit Art Installation, 1989 ©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work. 1987~1989 Exit Art installation, 1989 ©Hiroshi Kariya

Curved stump with 'the now is' writing, placed in the middle of gallery space, plumb line pointing the core. 1987 ©Hiroshi Kariya

Acrylic on linen, 8'ø 1987~1988 Folded 3 times and hung vertically, from beneath, the view shows ∞. Exit Art, 1989 ©Hiroshi Kariya

Acrylic on linen, 8'ø 1986~1988 Acrylic on plywood. Exit Art, 1989 ©Hiroshi Kariya